1 hour with Tim Holtz! You will love these new products!

1 hour with Tim Holtz! You will love these new products!


thanks to
some stones and pens and markers and oxide so new at the show aren’t distress
embossing blazes and who need embossing blazes are clear embossing powders
nothing material but what makes them unique in the world of distress is that
these are optional and that’s why we call them the embossing powder it’s these on when you put it on that is
the color doesn’t matter what and there are something he’s incontinent
many I’m not saying these are the only ones but I will say that these are
designer notes they’re always translucent and
it’s melted color is what mimics the coordinating distress code right so
these are all distressed blazes melted over a brown background and you’re
welcome to pass it around and get your best money shot out of that but the cool
thing about it is you can see is that when they melt besides that they melts
with wonderful shine they are translucent showing what’s cool so if
you put them over like for example distress ink you can still see all of
the glaze is tinting what it’s right here these swatches yeah feel free to
pass take a look and scan through them so
these swatches right here showed you the glaze in action you can use the glaze
over something stamped and just looking at this one tag right when you see this
is just stamped in black said archival when you put the glaze over it even
intensifies the black right it takes now in addition to the glaze of course I
was like right so the inspiration really behind
the glaze beside that in color we’re all around these paper dolls in baseball
you’re using these in everything and they’re you’ve been using their own
photos now sore this kind of gave me permission to print and just use them
and I wanted different ways that we can color that throughout the years we’ve
colored them with markers and crayons but the glaze is really fun because not
only does it tint it but it gives it that shot so these swatches are done
strictly with the glaze there’s no ink used at all your color is just the glaze
and so that’s how you can see this counter Rose has such a great and paint even whether it’s one of our
might regard it completely changes it gives it a great tension T so this watch
is really the good thing about lazy as well is
that the more you build these up as well stencil
and I ways that we need to smile now again there’s nothing special to this
particular liquid if you already have something similar so the distress
embossing things it depends as have been dancing me there are two different tips
in a package a bullet in a brush and that’s just a nice way that we can apply
clear eight and get our powers to stick to it with the letter e you can do your
hand that are in with the breast pen and put your glaze or any of these that I
wanted to paint that blaze to get this right so just like a stamp
we’re going to get a very light so you put too much embossing ink on
metal even though the powder will melt it’s gonna wipe off because that ain’t
has no place to go it’s trapped between plastic and metal
my god took my swipe to put my glaze on if you
are colonel named planning right you can just take this instead of smashing it
into two ink that now we can just take our bossing better
little things to kind of think about another cool thing about the glaze
before I start picking this up is that if you don’t want to China it will drive
shiny you can get it to dry or melt really changing can we do it all you do
is go in pools you rub the top and that takes away Zen paper you can also use things like
medium with gel medium painted over it to dull it down but the easiest way for
me is just a little steel wool over it so let’s take these outlets let’s cook
them up play around with it I always like to um you know I think in today’s
world that makers were we’re swatch savvy now we have swatches we look like
to make swatches we don’t do anything else I took them out of the crown ten so
the jars instead of the glaze don’t think like
you can only use these sticky things even distress people like you can emboss
the distress ink so we can still stamp with the color embossed with the
different color glaze and get a whole different kind of thing this is showing texture paste which is a
white paste it’s now part of the distress line but any embossing paste
because it is white these glazes were sprinkled over the top of it and then
embossed and you can see that’s what’s going to give you accurate because now
we have a white foundation we’re not seeing through it we’re just getting
that white to reflection so it’s really nice that we can take these
colors and I just went in and sprinkle them just to show you that because they
are translucent all of them and because they are plastic so you may melt they
become liquor he went in and he was started sprinkling
them on so I put my paste on while my face was wet I sprinkled on my glazes
that is because when you do that it’s what gets the colors to bounce in other
words if I sprinkle my color and I did this whatever was here dominated
everything else that last color just covered everything
so if you just need to dance that’s going to
all these colors to start talking around and sticking into different random areas
and when they melt they will actually where that green overlaps that blue
overlaps that brown powder starts to melt and you can get really cool I think you can use any I mean I’ve only
use Ranger so I but I would suggest some pace it’s really puppy like marshmallow
you know so if that’s happening you may want to let it dry first meaning put the
paste on put your glaze on and then let it dry so powder is now stuck to the
eggs to the pace but if you let the pace dry before you heat embossing
marshmallow explode really feel it you’re gonna see that it’s got a real
negative texture so cadaver itself it is a victim bossing
so when you press down you can apply them
but if you go in and just squeeze this your papa right it’s not designed to flood and
obviously used to like paint gathered and stained like squeezing and pushing
down and I don’t know if your cameras picking
this up I tried to do it on the map just to show you the shine there is 8 that is
coming out it’s just a very that’s what it’s for
that’s all you need so if we’re going to do this Gerson please get wet it will show wet so I’m
gonna do my best if I may you guys your videos this way let’s take a little flourish stamp its
own any power but I’ve shaved black I’m just gonna stamp so you can see the
glaze over and gaming I think when you see it happen it’s so much more but technically you could stamp in
distress because this place well it will play beautiful okay so this was me saying okay if I did
a tagging oxide so this was age mahogany website right when I first did the
glazing Michael I’m sure I can achieve the same thing with clear embossing
so this was clear he did nothing like wow it’s horrible
it was very boring to me now it just kind of looks like a weird nothing
Street this right hand is fired so when I put fire brick without a mic
we’ve got some deep color we have it brought I thought more depth in and then
I kept it cool we can just what it’s the same pliable
could I still break it and I still die-cut and I mean feeling it’s not
gonna chip off but it changes the surface of that people unique medium is
– though it’s a new boss just don’t treat it like any you can stamp and
anymore you could go through just with the stamped image but it’s really
designed to like to be used with distress be afraid of it I’m just gonna
take this I’m just gonna stamp on cardstock it just happen to be stamping
on watercolor cardstock just the conventional I’m introducing into
that event schedule so I’m just going to take the dabber I’m
just gonna start swiping can you see the shine right there I can go around the
edge swipe part of the all right for the song
now again if you want to mix you can mix if you want to thin your color like I’ve
even played with taking glaze and also mixing it which is clear embossing
powder to get like a more translucent right so if you think oh that colors a
little too green and I want it to be softer and I say that meaning it’s not
gonna lighten the color but because you’re gonna have less of those granules
it just gets a little speculate it’s pretty neat definitely play around the best carpet not glaze very dully
right does that stamp image so we’re going to emboss it now I’m the firm
believer any different to us okay let’s just bring this heat tool if you see any
videos I use it it’s a craft tool I use for crafting I use for dry me
drying paint drying glue it’s a craft room although it says you can emboss
with it you could if you had unlimited top right
20 minutes to emboss this an embossing gun these are both the same temperature
but this focus is he any embossing gun focuses that temperature in one period
and that’s what melts the father beretta so that’s why I use an embossed any
embossing metal always key do that remember top like you’re sticking your
hand in front of it and then another trick to embossing is hold your paper on
the subject if you have sensitive fingers here’s a clothespin write
something to grab onto it and it embosses almost instant
and that’s what it should you can see how that color just change right away I
see that dark black in that color so anytime your embossing even a card if
you can just clean it off with the table it allows you to eat to go through your
paper and not only will it emboss in half the time but it’s going to keep
your paper flat ever that embossing on a card and you do this and your paper
curls up heat rises so you’re putting heat through the paper it’s looking for
a way to get out and that’s what makes your part look like the kitchen scene I
think they went through it and through it all right so this you can see when it’s embossed because
of that wonderful shine that Sheen and look at how it made that black ink even
darker right so even if you’re just using it and you want to use like
antique linen I just want that block to be dark a bit
a little bit vintage antique linen is really nice because it’s a very subtle
you can see it has a peachy hue to it but it’s really really nice to add that
cool so that is like the premise of the book name them they have all right just because I feel like my wines are a
little bit Organic and note soon
now when you’re selling this because it’s clear you can I’ll show you these
are super juice you can see the juices can you see the shine I’m working for
you okay
it’s very very wet so because it’s a clear anything you’re like how do I know
if I have it just tip it to the light until you see that shine if you get ink
where you don’t want it wipe it off before you apply the copper it’s easier
than trying to wipe with the powder in the ink off at the same time so I just
suggest looking at leave her hand free on the screen right
now we’re just gonna color this all right and same thing just going to
take a glazed edge of some vintage photo and if you’re doing the dolls of course
you can sit there and you can put your colors on your glaze down so even on something like chipboard it
just melts very very it is a it is a fine powder I wouldn’t
say that it’s ultrafine but it’s certainly not a thick powder and always
emboss away from your finger got that great tinted shiny and you
could still go in at this point and going with your markers or crayons
whatever alright so another thing we can do so I have a tiger background I’ve done
with distress whatever elements you might doesn’t have to be with just dress
it could be doing something like up through this one so paper doesn’t have a memory just undo
it so here I will take and I’m just gonna go in I’m just gonna
have a little something takes into the blame
because I like to work with water is my distress you can do boss with water
so what’s nice about that is obviously we get way more control than we would
with me and plus if I don’t know how to get embossing embossing so light and
faint so this is really a great way that we can add some glaze to something that
we wanted to stress so whether you’re spraying water even if
you went into the water brush you kind of went around the edge you can emboss
with that because the powder is thin enough you don’t have those big chunks
that go now I will say that embossing water
takes a little bit longer I need the water to actually evaporate
right but it doesn’t take much longer you can see like in this area see this
one drip I’m focusing on it just takes a little bit longer
so this could be the top plays this could be a resist in the ideology booth
you see the stuff is used in many many different ways I know that Stacey when
she did her design her spotlight project behind some paperwork pretty cool especially the pink over the
top and this didn’t have to be play around with so this one introduced by
having something fully translucent using it that’s really why it was more of the
glaze as I wanted you to always think for many years so my first instinct is
like put think down then do something we because the colors in there it’s just
like and then playing around with different opportunities of ways to
either steel wool it so that is kind of the overview of that place and then
we’re going to talk about some other mediums any questions on the and that was the other thing you know
when it comes to embossing powder because embossing powder is just plastic
everyone’s embossing powder in the world it’s plastic and it just grinds up
differently and there’s different kind of plastics and some are metallic
deposits and opaque and transparent but the grind is everything right so like
ultra thick back in the day don’t you think embossing powder it wasn’t thicker
it was just chunkier so when it melted it melted right there was nothing about
that plastic that changed it so super fine detail what makes it super fine is
it’s so delicate and almost like dust that it provides way more detail when
you’re embossing so this one is kind of in-between because I do love working sprayer
I want that used to be and you could you still use
it with reason s spray or anything like that okay so some other things that we have
in the distress line we have some new mediums part makers or mixed-media
artist whether we want to work in the die-cuts of stamps this is available and
what it is it is very similar to water but what it is it has a texture pasture
surrounds you guys get your best money shot texture
okay so just like watercolor pretzel you can stamp on either side but when you
add your mediums to it you really get it to look like weather so we can add this
paper to the box we can add it to the front of the planner or a journal so we
can get the look of leather from the die-cuts punches anything and this is
just done using ink and little crayon this one is just blending with some
water this is just spraying so I just like to show swatches that there’s no
perfect recipe but you can have pink each of the designers we were able to
take our brand and we were able to reach out to five makers of five makers that
each had a unique style so I reach out to people thinking I knew what each
person did and the Williams very soft and was going to be grungy was so II
knew that someone was gonna go full-on brown what did everybody do I knew is
gonna be a bag of skills of her so I knew there was no even convincing or
diaz-balart sake so my mate I did all 64 if you always we still want to stamp on
it you still wanna use rub-ons we still be able to print on it if you want to
rent your printer but it’s a beautiful cardstock too today we can go in the Sun distress ink
beginning to spray so my teeth I’m just going to go right
into my medium app so if you’re very light handed you can see that it’ll
leave that white in there it’s still a really nice textured paper right so you
can see that I was gonna be paying for teal or something where I wanted it to
be very shabby I could do that but obviously the more water or the more ink
you have you can really get this grungy but because of the way the paper is
designed it’s still designed to rip through that paper it’s still going to
blend right so you can use it this way or we can go in with our inks or any of
our sprays or stains you can spray this down we can take our paper yeah dip
through it so if you want just it to be a little bit lighter but you can see
that now the color is going to soak into the cups so yeah there’s no right or
wrong way it’s all about play play play use your mediums in so many different
ways and that’s what you should tell yourself
I am lay down the blending I’m gonna try to use my age without a blending tool
so many different ways I did a I did a lot of blending tool it applies eat the
way I like you’re totally fine now this thing’s on
wheels man this is like this is the hit Hey but I had to save for a spa that’s okay very good drop it and find it later it’s a piece of shelf liner I like to
put shelf line under mine cuts just a little square that keeps me from moving
when I make it but yeah if you’re using any kind of blending brush you know that
you do this you need this but if you’re working it’s just nice to like not have
to do this but a brush do stencils so I’m gonna just do a brush on paper the
brush is always going to give us our softest application of colors and if
you’re new to inking that’s another thing that’s really important to
understand is that if you’re new to thinking and you’re only working with a
brush you’re gonna want to go with bold colors because if you try to take light
colors spun sugar weathered wood and you using a brush you were going to convince
yourself your ink pad is all dried out and that’s not the case it’s not
depending on the tool that’s how much intensity of color it’s going to apply
and a brush is always going to be the lightest because of that personal we can
really control stencils that was the whole point of it so a stencil for
example using different tools so this is the new tangled stencil using
a blending trip right through a stencil we get this if you simply change by
applying the same ink with a brush they’re the same stencil you get a
completely different detail so anytime you’re working with stencils that have a
lot of detail changing your tool from a blending tool to a brush is going to
focus and get those nice thin lines right doesn’t mean you always use a
brush and still going to use a blending tool but if you have that detailed
stenciling you’re really going over that special cutter just applying where the
brush is going to do everything to the edges so different tools I think makes a
big difference when it comes to how we apply color and what we apply color to
right different tools are going to do different things and you know as the
industry progresses right when we’re going into more detailed stamps and more
details 10 teams sign you kinda have to remember all the different tools that
the just saying this is what I use and
that’s all he is like to use for that we kind of need to change our so in
addition to the cardstock in our distress world may have some other
mediums different mediums are pastes now Rangers had texture paste and crackle
paste in their line they still do but they put it in the distress line for the
show put it in a little bit smaller jar just because I think that a lot of me
you know today’s maker it’s like we always think that if it’s in quantity
it’s better I don’t think so when it comes to art mediums because so when I’m designing I’m kind of going
the opposite way it’s like the taller the jar when you use it more air that’s
left behind and your meetings are just going to remove actually change the size
so texture paste we have math texture paste that’s going to be this stuff and
matte texture paste actually dries hard in textural it is completely matte but
what makes this pace unique is that you can put any medium over it after it
dries so you can put a watercolor print and it will absorb water color you can
put dilation sprays you can put Deena’s paints or gloss sprays you can use
distress distress oxide anything you want because most space most embossing
paste resists a water-based media most embossing paste we need to kind of go
with something pigment like the paint or something this will absorb color exactly
like paper wood just sucks in that color and it will also release it crackle
paste if your challenge you put it on with a palette knife when
it dries it cracks it’s that simple and you can apply it to anything you want if
you’re going to put it on something like metal or plastic
my advice is put down some flowers movers put down a layer of gel medium or
collage meeting and let it dry and that’s going to give your surface and –
it’s going to just allowed us to not only dry and crack but to keep it from
like chipping off you can heat set it by really to get
your best practice because he produced he it wants to
separate it quicker so you get those weird little minds that wouldn’t
normally hear it’s not a bear it doesn’t take very long I would say in like 15
minutes you’re going to see so it is very very quick and you’ll see here this
is just swiped with a Power Man just to show you that the thicker of the medium
the bigger the cracks but even the fainter where it’s just a very cool
medium – next one is grip paste we introduce grip case which is like this
grittier texture paste and may be used to push snow abused or rust this show we
introduce a translucent herb paste so the cool thing about that as you can see
it’s see-through but our original grip case was gesso based you know people
gesso on something that’s just white and there it is and you don’t want it
somewhere she’s gonna it’s gonna be too bold
so the transparent does allow us to create more of organic texture rust on
metal rust on wood rust around the edges of stuffs and if you don’t put any color
and you’re still gonna see your pattern paper underneath take a look at the protection of three
so we have all of those reasons that’s that’s these guys right here you have
texture paste these crackling math and then we have
grit paste blue pink and translucent they’re just in a smaller jar or gang if you’re going somewhere going on a
trip or you just don’t have the opportunity to store all your stuff on you also know you’ve had to stress
through the years that it’s kind of like a game sometimes they fit perfect
sometimes you flip over your ink pad and the lid falls off so I wanted to make
sure that regardless of when you’ve got your needs
when you put it in there it fits into this mold and it will air tight and for
people that are already freaking their freak on social media because after I
did whatever it is that it is stored like
this some people just don’t like to store their ink cuts on their side
that’s alright I designed it that when you stand it up my ink pads are sitting
flat but if you want to store your ink pads upside down because it’ll sleep
easier you can pop out the answer flip it over and then technically they would
be stored upside down right or same thing maybe you just want to work that
face like this was designed that I can look at my labels when I go for me too
but if you label them in a different way and you want them you can remove the
insert but you’ll see that it just fits regulation-size ink pads about sides 15
eights and it’s also stackable so this one has a lip here and a recess here so
you can actually stack all your cans and they lock together silly things you learn remember you got me how’d you get about
collage medium and you kind of crack the ice cream credits all yours well listen
I I’ve won in collage medium in all
different things and if you’ve ever used glossy accents the tip of that glossy
accent bottle is really nice and always win it cause meeting smaller and bigger
and Rangers like it’s gonna be in the jar but great thing about this because
people ask all the time what is the glue and you can ask any I mean Stacy’s over
there shaking back any maker that makes every single thing in radiology it is
collage media there is nothing this cannot be it can be plastic
fabric people in would you name it beauty applause medium besides it dries
completely matte and transparent is that it shrinks when it drops so when you go
to glue a glass bottle down and you get glue when this dries it will literally
shrink behind it also has a drying time of now so if you’re going to use it to
actually collage right I’ll just show you just like some little dots of good I get this tiny
but if you’re going to use it like for ephemera and your you’re going to use it
out of a jar or right medium just out of this and I’ll brush it on if you put
paper down and drying time of now it’s gonna bomb but same thing really applies
for embellishments okay the medium itself doesn’t dry instantly the bond is
instant so when you put a metal embellishment on something you can move
it like quickly to position it and then you need to leave it alone because if
you keep moving it you’re actually breaking that bond so once it dries your
embellishment would fall so this is about right any questions are not English we could try the embossing it will work I mean the hell cuz it’s a
glue but I want to see if I can get a cool brushstroke would you vote so here I’m just gonna take just some
collage medium and I’m just gonna use it because if we’re going in with some blue
but why not just to see how that is just gonna work because I’m curious how this
place is gonna go there and say a restaurant put some different colors down so you don’t need a lot right no need to
be just a compliment and then this is so normally I would do
this like over I know see by just tapping in and that’s how
those colors are like vibrating across the surface and it’s giving me a totally
different speckled because if you picked it up and do that
and that color is just going to dominate so the whole thing with the glaze really
just get it stuck on whatever it is while that whatever it is wet once it’s
on there also take something dry but I can see already I mean
that brushstroke right there bossing a brushstroke is just as exciting as
embossing a water because it is it’s just about the
texture with the layers and this could have been over something already and
that is what I love about introducing different things into the distressed
world just a different way knocks out here is me over face yeah and if you’re working on the media
Matt you can just embossed working on it it’s tempered glass I’m gonna get over this yes you’ll see ya soon as this notes
because remember the glaze is like a blaze done it’s going on top but if you
didn’t want it shiny you could either collage medium over it
again and that would dull it down or steel wool and that would also do that
so this is going to melt quick back glaze that’s shiny look at those brush
strokes that’s really so I mean and we’re just looking at raw paper but
really to appreciate the glaze and use them in their environment to put it over
something you’ve already done over something you’ve already Eames because
that’s what’s gonna give that texture that’s gonna give it all of those
undertones to that color right now this is just clear glaze nothing but if this
was already inked all of those little colors come through so naive inspired me
so tonight before I leave the show floor I’m just gonna take a bunch of paper and
I will probably never embossing because to me
over something you see well anytime you emboss unembodied ooh
risk repeating this but to be honest if you stamped and blazed over it and just
eat it you’d be able to emboss it before you use something like this because it
is very instant if you use the range of one because it it disperses the heat it
would eventually heat and different paper is also different than the muscles
too if you work on papers that are very porous right cuz it like in a lot of
journals there’s really great raw watercolor paper or chipboard because
this is a plastic if you keep this long enough you can get it so liquid that it
will actually immerse itself into its paper which could also be cool because
this note is a resist because you figure dripping effect
yeah you could get to some really really cool effects on here so an oxide because
it has pigment that’s gonna now impact the top color but it will also work as
resistance you just say don’t do that because you
just if you’re careful it’s good you know if
you were just to totally abuse this and yeah you could the only thing that you
ever have to worry about in the world of contamination is this in you can really double-dip it just dirty
is the penalty of advice remodeling you’re not going to damage your impact
but if you went in fact signed into this and you into this picnic into distress
you’ll change its gonna dynamic so here’s a so now we’re gonna get our
oxides different units thing but it’s still gonna oxidize on top but now I’m
going to go so by using my heat tool
it’s never gonna get hot enough quick enough to remember you see what I mean
so that’s why I was saying using the right tool now I’m gonna be able to dry
my ink in my own side over that way and it will dull the labels because the
outside I can’t I always say I can’t wait til you guys get in your hands
because what you’re gonna do with it is just gonna even be more manageable than
what I dreamed up that’s what makes this creative industry awesome this the immediate idea and even you can see where the collage
medium was and I did encounter it’s been act as resist you’re going to work quickly my positive
– tab time you can break us let’s don’t forget it’s still plastic so
I just want to make sure that I don’t you know get any strings or stickiness from a brush stroke to using oxide what to me is very interesting when
we’re working with meetings it is all about not only color in depth but
that was really the inspiration is yeah I could create color and I could go over
something with glossy accent so it’s like thinking of it’s like
powdered eggs on this to start it’s up to you America there
were a lot of gravity people that we didn’t have new colors of oxen of our
five holes no Michael yeah that’s what it is very interesting I mean think about it we got all of
those oxide sprays in the first year because Lisa McRee innovation last year
social media blew up they wouldn’t give Ranger breaks that’s what kept them
releasing you it doesn’t stay well I mean you can put
it on there but really over time these two mediums the dye and pigment gold so
never say never because we’ve been working on it since we released it but
we’re just still not there so the chemists are looking for some
type of resin is what he says some type of resin that will keep the dye in the
pigment happy it’s about surface tension he’s got all sorts of different reasons
but like when an ink has made this material just felt because it’s a pellet
this is a foam it’d be different right because most people pads did that
squishy foam a pigment likes to live in from the people he doesn’t like to live
on felt right it wants to separate my boiling water but on this they soak it
in the ink run it through a roller which kind of
pushes everything out and Incas has suspended me that’s why that whole myth
that oh your eggs are gonna drip down inside of me they just kind of sit there
put on this because there’s not enough surface that’s why these the dye and
pigment just starts to separate not necessary to the edge but it just
doesn’t it doesn’t play well over time if we were makers that were actual
consumers and then decide if we like validate us off we aspire to be and I
think a little bit more reserved in our purchases yeah we are so I’ll never say
no so maybe it’s not this maybe it’s maybe it’s a little bigger
than I told me like you know maybe it’s so they’ll blend so just like this if
you look at this one involved well these colors when they liquefy so if you
dition busted in one stage then yes they would remain speckled but the longer you
heat these because they’re liquid they’ll start to blend together so I’ve
already mixed the glaze with clear and it does give you more of that speckled
kind of granite ware look because now you’re dispensing the colored crystals
with the clear I’ve also use your defrosted crystal so
Ranger has an embossing on that called frosted crystal which is more of like a
Mac embossing powder so it does dull bees even more so when you mix this with
frosted crystal so I plan on doing a lot of things but
we have to be careful of is if you mix these with opaque powders the opaque
powder will dominate the trans so if you said I’m gonna make fire brick
with my red embossing powder it’s just going to because that okay we’ll just
dominate anything and that’s what that’s really why I wanted to even still this
whole blaze world that’s why I said I didn’t invent it still embossing powder
but to have a line of cool translucent colors that you know when it melts you
know that when it melts in its first layer it is going to give you that color
he’s gonna give you tattered rose he’s going to give you fire brick rusty hinge
fossilized the universe that is same thing if I took think and just smudge me
with my finger that’s it but the more color you add just like the more
distress you have the more intense the color is but rusty hinge is never going
to be long-lasting no matter how many later there’s going to be a deeper
arresting him this will never be a mahogany but it’s it to me it’s a great
great palette to start with I’m just every single day just the more
I play with it and that’s another thing throw one things that like we have this
product years ago not only and all the products of getting
stuff to market much I think it’s important in our industry
yeah there are some products you know like what I’ve been tonica’s I’m gonna
shit for a while but I think the more you just kind of say it right at the
front like here we got away too Amazon because we have so much right
that’s what it is don’t get in your own head where you think they’re not great
enough to say you don’t have enough followers or you share we’re all in this
to just inspire each other the numbers and lights and followers
this is just about you being used and you being authentic to you these your
contribution to our industry that’s really what it is because I mean you
could I just did that brush glue on a tack or kind of in itself inspired a
whole little demo of life for what would happen at this I don’t know this could
have been horrible but at the same time for that so share what you do I think
that’s what’s going to continue to Parsons training thank you all right
thank you thank you you’d be great yeah you’re no pro at this I did I was putting it on my card and it
caught on my garage door and broke the wheel broke I was like well

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